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lettera.gif (4196 byte)Mario Donizetti       

 Mario Donizetti - Designer 
 Dipinti e disegni in mostra 
 Twenty years of opposition to restoration of Leonardo da Vinci's "Last Supper" 
 I Vizi Capitali - The Seven Deadly Sins 
 Lettera a Hegel 
 Donizetti Museo Scuola 

 

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photo-~1.jpg (24564 byte)Mario Donizetti is esteemed to be today the greatest exponent of realism in painting. In a recent CNN-International documentary, Elsa Klensch states that "his timeless quality captured in his paintings made him famous around the world".

 

 

One of the artist's worksFundamental are his "Crucifixion" in the Museum of the Treasury in St. Peter's Basilica in Vaticano, 
his frescoes and altarpiece in the historical Monastery of Pontida; his portraits of Lady Diana Spencer (1981), 
of Indira Ghandi (1984), of John Paul II (1985) and of Deng Xiaoping (1997) published on cover by "Time" magazine; the portraits of Costanza, his wife and inspirer; the portraits of famous figures in the theatre world 
(Jean Louis Barrault, Marta Abba, Vittorio Gassman, Giorgio Albertazzi, Valentina Cortese, Edvige Feuillère, Marcel Marceau, Gianandrea Gavazzeni, Rudolph Nureiev).

 

 

 

donizzetti4.jpg (9604 byte)An exhibition of his most important works was held in 1983-84 in the Halls of the Museum of Pinacoteca Ambrosiana in Milan. He is preparing an anatomy text-book based on hundreds of anatomic drawings. Through a personal conception of the idea of reality and its representation, Donizetti opposes the theories which assert the informality of art.

A contributor to daily papers and magazines, Donizetti has also published important writings about the restauration and preservation of old masterpieces and a book "Why Figurative" (1992) where his aesthetic arguments have an aim which goes beyond the defence of his choice. 
They offer a necessary alternative to the foundation of the Kantian aesthetic judgment regarded by Donizetti as a doctrinaire error and starting-point for modern artistic informalism. Mario Donizetti maintains - as Jean Louis Ferrier metaphorically wrote in "Le Point" - that "Kant, Hegel, Croce... ont introduit le ver dans le fruit de la réalité, à savoir le subjectivisme... " (...they have introduced the worm into the fruit of reality, that is the subjectivism...). 
"Why Figurative" is, from one of the great protagonists of contemporary art, a lucid critique on the "Critique of Judgment" by Immanuel Kant.